Note Frequency Chart
A complete reference table of musical note frequencies from C0 (16.35 Hz) to B8 (7902.13 Hz) calculated using 12-tone equal temperament with A4 tuned to 440 Hz. Each row shows the note name, octave, precise frequency in Hertz, and MIDI note number. Click the play button next to any note to hear its pitch through your speakers. This chart is an essential reference for musicians, audio engineers, synthesizer programmers, and anyone working with sound.
Understanding Equal Temperament Tuning
Equal temperament is the tuning system used in virtually all modern Western music. It divides the octave into twelve exactly equal semitones, where each semitone has a frequency ratio of the twelfth root of two (approximately 1.05946). This means every note is related to every other note by the same mathematical ratio, allowing music to be played in any key without retuning the instrument. The formula for any note's frequency is f = 440 * 2^((n - 69) / 12), where n is the MIDI note number and 69 corresponds to A4 at 440 Hz.
Before equal temperament became standard in the 18th and 19th centuries, various tuning systems were used, each optimizing certain intervals at the expense of others. Pythagorean tuning based intervals on perfect fifths, just intonation used pure frequency ratios for consonant intervals, and meantone temperament compromised between the two. Each system sounded beautiful in certain keys but noticeably out of tune in others. Equal temperament sacrificed the purity of individual intervals for the practical advantage of consistent intonation across all twelve keys — a trade-off that enabled the harmonic complexity of modern music.
The A440 Concert Pitch Standard
The reference pitch A4 = 440 Hz is the international standard for musical tuning, adopted by the International Organization for Standardization in 1955 (ISO 16). This means that when an orchestra tunes, they tune to an A at 440 Hz, and all other note frequencies derive from this reference. However, concert pitch has not always been 440 Hz. Historical evidence shows that pitch standards varied widely: Baroque ensembles typically tuned to A415 (a semitone below modern pitch), while some 19th-century orchestras tuned as high as A450. Even today, some orchestras tune to A442 or A443 for a slightly brighter sound. The frequency chart on this page uses the standard A440 reference.
How Octaves and Frequency Relate
The most fundamental relationship in music is the octave: doubling a frequency raises the pitch by exactly one octave. A4 at 440 Hz becomes A5 at 880 Hz, A6 at 1760 Hz, and so on. Going down, A3 is 220 Hz, A2 is 110 Hz, and A1 is 55 Hz. This doubling relationship is consistent across all notes — C4 (middle C) at 261.63 Hz becomes C5 at 523.25 Hz. This is why octave equivalence exists in music perception: notes an octave apart sound fundamentally similar, just higher or lower. The human hearing range spans roughly 20 Hz to 20,000 Hz, encompassing about ten octaves of the musical spectrum.
MIDI Note Numbers Explained
MIDI (Musical Instrument Digital Interface) assigns each note a number from 0 to 127, covering the range from C-1 (8.18 Hz) to G9 (12,543.85 Hz). Middle C (C4) is MIDI note 60, and A4 is MIDI note 69. Each semitone increments the MIDI number by one. MIDI numbers are essential for digital music production, allowing synthesizers, samplers, and software instruments to communicate pitch information precisely. When you press a key on a MIDI keyboard, the note number is transmitted as a data message, and the receiving instrument converts it to the appropriate frequency for playback.
Practical Uses of the Frequency Chart
Audio engineers use frequency charts to identify problem frequencies in a mix — knowing that the muddiness in a vocal might be around 250 Hz (approximately B3) helps them target the right frequency band with an equalizer. Synthesizer programmers reference these values when designing sounds, setting filter cutoffs to specific musical notes, or tuning oscillators. Guitar players check their tuning against exact frequencies. Sound designers working with Foley and sound effects use the chart to pitch-shift recordings to match musical elements in a film score. Anyone working with audio benefits from understanding the relationship between musical notes and their frequencies.